And Polley believes: "We blame relationships for that gap. It felt like the house was coming apart at the seams the disarray of loss." She also peels back the filmmaking process, filming set-up shots and voice-over sessions while obfuscating other details, particularly her personal response to the shocking revelation. And though that might keep another director occupied, it's just the start here, because no two children, no two friends no two lovers, even paint the same portrait of Diane Polley. [23] Polley ended her run early claiming complications from scoliosis. Michael Polley is the film's chief narrator. Sarah even found and filmed a newspaper cutting reporting on the case. Another action sequence sent her to the hospital when a detonation startled a horse, causing it to thrust an explosive device in Polleys direction. DOI: https://doi.org/10.1016/S1470-2045(13)70470-4, We use cookies to help provide and enhance our service and tailor content and ads. Sarah Ellen Polley OC (born January 8, 1979) is a Canadian filmmaker, political activist and retired actress. But Michael Polley is the one who has to absorb the shock, and as he plunges into memoir-writingwhich Sarah has him record as voiceoverhe emerges as the more sympathetic of the two. When actress turned writer/director/producer Sarah Polley learned at the age of 28 that her father Michael Polley was not her biologicalfather and that she was, instead, the product of an illicit love affair by her late mother Diane Polley, her world turned upside down. [6], In June 2014, it was announced that she would be writing and directing an adaptation of John Green's Looking for Alaska. Stories We Tell has brought her family together, says Polley, but the five-year struggle to make it was painfulsitting in an editing room thinking about your childhood, and your mother whos gone. Like a child who feels responsible for her parents divorce, Polley felt guilty for uncovering the affair. Director Atom Egoyan, who cast Polley in The Sweet Hereafter and has remained close to the actress, said he was astounded by her progress as a director. Manipulating even as it exposes, Stories We Tell is a provocative, genre-bending documentary that examines how we construct personal narratives and shows Polley struggling with her own. [33] In June 2016, the series was confirmed with Polley writing and producing. [14][15][16] When Polley turned 18, she decided to follow up on suggestions from her mother's friends that her biological father might be Geoff Bowesone of three castmates from her mother's play in Montreal. Herself a well-established actor, writer, and director in her native Canada, Sarah was nominated for an Oscar for her writing for the 2006 film Away From Her, which she also directed. In the same year, she starred in a lead role in the remake of Dawn of the Dead, which was a departure from her other indie roles. It was really interesting to have a big drama in your own life, and have this need to make it into narrative.. Sarah then spent five years delving deeply into her family history. Her newfound perspective arises from her work with a doctor who instructed her not to retreat from the activities that triggered her symptoms but to seek them out and embrace the discomfort they caused. Like an elaborate game of telephone, everyone had a slightly different take upon learning the identity of Sarahs biological father. Polley credits the organization with pushing her to persevere when she was ready to abandon the project. She died of cancer the week of Polley's 11th birthday. As she grew up in Toronto under the care of her father, Michael, Polleys conception of her mother was fuzzily constructed from memories, photographs and family stories. Canadian actress, film director and screenwriter, Western University (2018). (Polley writes in the book that she saw Gerwigs film, calling it beautifully realized.). So does she see marriage as a doomed enterprise? Diane Polley was a Canadian actor and casting director. [6] He'd speak to you with respect. Polley's subsequent role as Nicole Burnell in the 1997 film The Sweet Hereafter brought her considerable attention in the United States; she was a favourite at the Sundance Film Festival. how long does crab paste last; is gavin hardcastle married; cut myself shaving down there won't stop bleeding [26], In 2006, Polley took a role on the acclaimed series Slings and Arrows during its third and final season. She wonders how her mother would have felt about the film. Polley's father, Michael Polley, was a regular on the show during its entire three-season run. Two days after her 11th birthday, Sarah Polley lost her mother to cancer. Even when it is at its most uncomfortable, he seems in his element. And as her family secret leaked out, she kept it from the public for another five years, convincing journalists not to report it because this was a story she wanted exclusive rights to. The revelation of Polleys true parentage landed her in bed for two weeks, ill with a long fever. [57], In January 2012, Polley endorsed Toronto MP Peggy Nash in the 2012 New Democratic Party leadership race to succeed Jack Layton. I am compulsively early I get to airports three hours early." [8][9], Her mother was an actress (best known for playing Gloria Beechham in 44 episodes of the Canadian TV series Street Legal) and a casting director. He treated kids as equals for better or for worse. Western Law welcomes new faculty. Her first appearance on screen was at the age of four,[20] as Molly in the film One Magic Christmas. When Diane died, on 10 January, 1990, Sarah and Michael were left to their own devices. [58], On October 15, 2017, Polley wrote an op-ed piece in The New York Times detailing her experience with Harvey Weinstein and with Hollywood's treatment of women generally, and making a connection between Hollywood's gendered power relations and Polley's not having acted in years. Club commented that Polley's decision to go into directing had "deprived the world of many potentially great performances", calling her a "superb actor".[41]. That guidance provides the title for Polleys first book, Run Towards the Danger, a collection of autobiographical essays that Penguin Press will release on March 1. Diane Polley was a Canadian actor and casting director. She exposes the filmmaking process by filming set-up shots and voice-over sessions while hiding other details; in particular her personal response to the shocking revelation. I realized, thats my dad, she says. But now she has unveiled the puzzle of her parentage in an enthralling documentary, Stories We Tell, which premiered at festivals in Venice and Toronto to the acclaim of critics. 19 April 2015. And during the ceremony, when the congregation was asked whether anyone objected, five hands went up. All Polley's films, in different ways, explore marriage and its complexities with compassionate grace. [21] The show was picked up by the Disney Channel for distribution in the United States. And, looking back, Sarah acknowledges that "taking care of me became the centre of his life". The results knocked me on my ass, says Polley, sipping cider in a caf around the corner from her Toronto home. Geoff Bowes, a fellow actor, remembers the infectious gaiety of acting with her in Montreal. Polley has written numerous essays over the years about her experiences as a child star. Even so, Polley said she was beset by self-doubt, constantly questioning what she felt was an irrational need to make the movie. Both dads vie for custody of the story. Her son Mark Polley is also an actor.[2]. Polley, who became a mother herself during the making of this familial drama, found herself needing breaks during the long process, at one point leaving Stories We Tell for seven months to write and direct Take This Waltz, a narrative feature starring Michelle Williams and Seth Rogen released in the U.S. last year. Retrieved on March 17, 2020 from, "When asked what directors she admires, Polley talks about Ingmar Bergman and Terrence Malick (she says his, Academy Award for Best Adapted Screenplay, Genie Award for Best Performance by an Actress in a Leading Role, Genie Award for Best Achievement in Direction, 2012 New Democratic Party leadership race, Governor General's Performing Arts Awards, Best Performance by an Actress in a Leading Role, "Moviegoers pulled in by Gravity: Tiff Tweets", "Nobody's Starlet: Toronto's Sarah Polley is Only 20 but already a veteran actor so secure in her craft she can thumb her nose at Hollywood", "TIFF 2011: U2, Brad Pitt, George Clooney Films Featured At 2011 Toronto International Film Festival", "Sarah Polley to adapt Margaret Atwood's Alias Grace", "Stories We Tell: Sarah Polley's compassionate portrait of a complex, flawed woman: her mother", "An Actress with Doubts, but Not About Directing", "Stories We Tell: A post by Sarah Polley", "Venice Review: Sarah Polley Examines Her Own Family In Lovely, Fascinating 'Stories We Tell', "Sarah Polley reveals personal secret in new documentary", "Truth and Lies: A Q&A With Montreal Film Producer Harry Gulkin", "Sarah Polley doc wins Toronto critics' $100K prize", "Sarah Polley on Documenting Family Secrets", "OCAP took me in when I was 15, living on my own, with no community", "Sarah Polley at the Canadian Women Film Directors Database", "Sarah Polley's new film reveals her secret parentage", "Production / Event Register: Production Display", "Caught Through the Looking Glass: Sarah Polley on Grief, Girlhood, and Scoliosis", "Sarah Polley to receive Jutra trophy at Genies", "Exclusive: TIFF to host Polley's "Stories," Kastner's "Disco", "A Better Man documentary explores aftermath of abusive relationships", "Margaret Atwood: 'I am not a prophet. There were other things she did not share with her siblings either. That experience gravely affected her children and serves as something of an explanation as to why she did not leave Michael for Sarahs father. "When I watch the black-and-white footage of my mother auditioning, staring out into the audience, I feel maternal about her," Sarah says. There was nothing I felt uncomfortable asking. She already has a classy track record as a film director. She was an actress and casting director, known for Philip Marlowe, Private Eye (1983), Encounter (1952) and The Ray Bradbury Theater (1985). That includes her account of the concussion and her recovery, and while that accident was not her inspiration for writing Run Towards the Danger Its a bit messier and more complex than that Polley said the books contents were informed by the paradigm-shifting worldview her treatment yielded and its exhortation to confront sources of pain. Its completely unlike any other film Ive seen.. When its symptoms were at their worst, Polley, the preternaturally poised actor (The Sweet Hereafter) and filmmaker of probing dramas (Away From Her, Take This Waltz), could not concentrate on her family or her screenwriting. Update this section! I wasnt interested in exposing myself, said Polley, 34, whose diminutive stature belies a striking ambition. (Recommended). Polley discovered as an adult that her biological father was actually Harry Gulkin, with whom her mother had an affair (as chronicled in Polley's film Stories We Tell). Polley's mom died in 1990 of cancer, and her father remembers bonding then with his youngest daughter. Subsequently this led to her role as Sara Stanley in the Canadian television series Road to Avonlea (19901996). This is the endlessly complicated subject of Sarah Polley's dazzling, multi-leveled documentary, an inquiry into her late mother, Diane, that widens in scope until director and audience stand at . [37] In her 2022 essay collection Run Towards the Danger, Polley revealed she had been working on a second draft of the Little Women screenplay when she had a traumatic head injury that left her with post-concussion syndrome that left her with symptoms for four years and left her temporarily unable to work. I decide it cannot be Sarah. Like his siblings, he felt skeptical that anyone outside the family would care about the story, but he was also energized by the experience. But after years of reconsideration, Polley said during our interview, I felt a deep, ethical obligation, especially to the women who came forward in that case, to tell that story, and a deep haunting that I wasnt able to tell it sooner. (Ghomeshi didnt respond to requests for comment sent to Roqe Media, where he hosts a podcast and serves as chief executive. The author Margaret Atwood, a longtime friend who also read drafts of Run Towards the Danger, said that she has seen Polley strive for greater honesty in her work and in her life. In her new essay collection, Run Towards the Danger, the actress and filmmaker examines intensely personal stories shes still sorting out for herself. His quirky, engagingly self-deprecatory commentary contributes hugely to the film's charm. One shop promises to waylay passers by and teach them how to knit. [24], Polley appeared as Lily on the CBC television series Straight Up. She used existing footage from home Super 8 movies and old photographs with confessional interviews from her brothers and sisters. And then she relates how Michael made a speech that "sounded like it would go somewhere really nice, then didn't. When I found it, I thought, Oh, my God, I get to watch this, watch her face. She encourages her family to speak. I can't imagine combining those. Its been more than six years since Sarah Polley was struck on the head by a fire extinguisher, one that was unwisely hung over a lost-and-found box at her local community center, leaving her with a debilitating concussion. Shes an artist, he said. There were all these weird discrepancies in the stories, and we were also all so invested in telling it. Stories We Tell is an intimate documentary that took five years to make. I pass more than one itinerant woman in shabby chic clothes. By Dave Itzkoff. Sarah grew up with Michael Polley in Toronto and after a while her memories of her mother became vague and misty. Mum was adventuresome but trapped, says . [61][63], In 2022, Polley said that she had been sexually assaulted by then Moxy Frvous singer Jian Ghomeshi while on a date when she was 16 and he was 28. What got me interested was my fathers unusual and unexpected response to the news and my biological father was also writing about it. October 11, 2012, Ken Woroner/National Film Board of Canada, Sarah Polley received the shattering news in the fall of 2006, just after launching Away From Her, her Oscar-nominated feature-directing debut. The long slog gave Polley the chance to fill in many blanks about her mysterious matriarch. I had known this story my whole life about this part she wanted and she didnt get and she thought of it as a pivotal moment in her life, and it really broke her heart, said Polley. And then Sarah tells me at my prompting about her last memory of her mother: "A few days before she died and just before she went into a coma, I remember Dad dancing with her to Blue Spanish Eyes one of her favourite songs. And my biological father was also writing about it. In a new, extremely intimate documentary five years in the making, Polley searches for her own answers while posing universal and sometimes uncomfortable questions about betrayal, identity and the definition of family. Diane MacMillan Polley, a Canadian actress and casting director, died of cancer in 1990, when her youngest daughter, Sarah, was 11. Im indiscreet about myself sometimes. Diane Kucera stands in her usual spot behind the sleek, In 2011, her second film, Take This Waltz a love story starring Michelle Williams split opinion (I loved it; Peter Bradshaw in the Guardian could barely contain his contempt). For one battle scene, she was repeatedly made to run a terrifying gantlet of explosives and debris. But let's start from the film's beginning. She adds that she was never under any illusions about her mother's "devastation and guilt at losing Johnny and Susy". Diane Polley died on January 10, 1990, in Toronto, Ontario, Canada of cancer. Signup for our newsletter to get notified about our next ride. [22] The show ran until 1996; Polley did return as Sara Stanley for an episode in 1995 and for the series finale. Since making the film, she volunteers, she keeps hearing stories far more "extraordinary" than her own. She is nervous (biting her lower lip) and vulnerable (apologising for fluffing the song's last line). Though Polley did not express misgivings about the films she made with him, Egoyan said he still felt guilty for her tenuous relationship to her past acting work. In 2005, she starred in The Secret Life of Words, opposite Tim Robbins and Julie Christie. There were all these weird discrepancies in the stories, and we were also all so invested in telling it. Sarah Polley received the shattering news in the fall of 2006, just after launching Away From Her, her Oscar-nominated feature-directing debut. The revelation sent Polley reeling: If her father was not her father, then who was her mother, and what did that mean about her own identity? I thrive on too-intimate conversations with people, she said. Copyright 2023 | We Support Phalanx Family Services & St Agatha Catholic Church, Privacy Policy | Terms & Conditions | Powered by Frackle Media, Sarah Polleys Personal Family Issues in Stories We Tell, Home Video Releases: Dexter, Liz &Dick, Warm Bodies and more, Paul Giamattis Amazing Spiderman 2 Twitter Pic as Rhino, An Important Message, and a Warning to My Christian Friends, Walmarts in Portland Oregon to Close Permanently. Despite Polleys comfort in front of the camera, turning her lens inward was no easy feat. Presenting a Rashomon-like maze of contradictory interviews, Polley puts her entire family on camera, including her four siblings and two dads. She was an actress and casting director, known for Philip Marlowe, Private Eye (1983), Encounter (1952) and The Ray Bradbury Theater (1985). The star was best known for his role as Gilbert Blythe in the CBC TV Anne of Green Gables movies. [7] In 2022 she wrote and directed the film Women Talking earning her second Academy Award for Best Adapted Screenplay nomination. "And Dad joked about it.". After her death, "suddenly there was myself and this little girl. At least that was her story. Another friend, Mort Ransen, speaks of her fear of cancer and likens her to a trembling bird. She finds it "nerve-racking" to think anyone might find her wanting. She suffered headaches and nausea, brought on by everyday levels of light and sound. Including the filmmaker, whose previous fictional treks behind the camera the Alzheimer's love story Away from Her, for instance have hardly been conventional. Being candid can also mean, Ive got no idea. We would always have a good dinner on the table usually with home-baked dessert. Stories We Tell, written and directed by Sarah Polley, is a film of the life and subsequent loss of her mother, the Canadian actress and casting director Diane Polley. She sees herself as a part-time extrovert. She was dissuaded by family and friends from coming forward with her experiences, but ultimately chose to do so in her autobiographical essay collection Run Towards the Danger. If you don't remember your password, you can reset it by entering your email address and clicking the Reset Password button. Who in Washington Will Earn Respect and Trust. In 2006, she directed Away From Her, about a woman suffering from Alzheimer's (Julie Christie was nominated for an Oscar). I somehow conflated finding this out with the idea that I created the situation.. And now, on an overcast, humid morning, I am hurrying to meet her in downtown Toronto, through streets that seem a cross between Dalston and Cape Cod. This entry, titled Alice, Collapsing, is one that Polley said shed made multiple attempts at completing since she was 19. He wound up saying that when he married, in 1967, his one hope was that his children would never feel they had to participate in something so absurd. He was holding her on his feet as she couldn't stand and she started crying. It took a friend to clarify for me that finding a storyis not the same as creating one." Is there such a thing as emotional copyright? [35] In March 2015, Polley was hired to write the script for a new adaptation of Little Women, as well as potentially direct;[36] however, Polley's involvement in the project never went beyond initial discussions, despite reports. What binds the "children" is their mother, Diane Polley an actress and casting director who died when Sarah was 11. At the age of 12 (around 1991), Polley attended an awards ceremony while wearing a peace sign to protest the first Gulf War. The movie, starring Julie Christie (with whom she had played in No Such Thing, 2001, and The Secret Life of Words, 2005), debuted at the Toronto International Film Festival on September 11, 2006, as part of the TIFF's Gala showcase. "[54][55][56] In response, Becel said it was a "founding sponsor" of the Heart Truth campaign and had commissioned the film "to put heart health on the radar of Canadian women". [13] By the age of 15 she was living on her own and credits the Ontario Coalition Against Poverty for housing her and developing her work with activism.[19]. Harry Gulkin Harry Gulkin is a Montreal producer, who had an affair with Sarah's mother, Diane. You know her pale face and her red hair turning brown and blonde . My dad is very open about this in the film. There was an intense claustrophobia involved, and I often felt like, OK, Ive processed this stuff personally, so what the hell am I doing continuing to make this film about this topic and having to go into it every day?. It is a cine-memoir of Sarah's parents, an extended family's portrait of itself. She orders brunch ("two eggs over easy with bacon and HP sauce"). We break the ice not that there is much to break with talk of Toronto. But it is. Meanwhile she divorced, remarried, raised a mutant child in the sci-fi horror film Splice, portrayed a depressed mother in Mr. Nobody, directed Michelle Williams and Seth Rogen in Take This Waltz, and had a baby. [17] She was awarded the CAN$100,000 prize for best Canadian film of the year by the Toronto Film Critics Association. Diane is a socialite, who feels hemmed in by her introverted husband. When actress mom Diane Polley died, Sarah was just eleven. In the essay, Polley reproduces an email exchange she had with Gilliam several years later, writing to him that i was pretty furious at you for a lot of years, though she says the adults who should have been there to protect me were my parents, not you. (Gilliam replies with an apology for the chaotic film shoot, writing, Although things might have seemed to be dangerous, they werent.). [13], On September 10, 2003, Polley married Canadian film editor David Wharnsby, her boyfriend of seven years. (Polley divorced her first husband in 2008 and remarried in 2011. When I said I was getting married for a second time, the interrogation lasted many months. "[46] [47] Polley was nominated for Academy Award for Best Adapted Screenplay at the 95th Academy Awards, and the film was also nominated for the Academy Award for Best Picture. There are stops and starts in the voice-over because Dad isn't just a character in this story, you see; he's the narrator, too, which gives the film a very intimate feel. There is just this messiness to the human experience thats extraordinarily inconvenient if youre trying to tell one story about it, she said. You can help us out by revising, improving and updating this section. [17][18], Polley attended Subway Academy II, then Earl Haig Secondary School, but dropped out at age 15. Toronto, Toronto Division, Ontario, Canada (cancer) Place of Burial: Toronto, Toronto Division, ON, Canada: Immediate Family: . Her documentary film Stories We Tell premiered at the 69th Venice International Film Festival in competition in the Venice Days category, and its North American premiere followed at the 2012 Toronto International Film Festival. Sarah Ellen Polley OC (born January 8, 1979) is a Canadian filmmaker, political activist and retired actress. Diane sings a spoof of Ain't Misbehavin' called I'm Misbehaving. In 2009, Polley directed a two-minute short film in support of the Heart and Stroke Foundation of Canada. Stories We Tell opened in US theatres on 10 May 2013 and is rated PG13. Sarah said, My body went into shock and sickness, and every time Ive gone to Montreal since then, I get really sick, she said. ", Making the film has changed the way Sarah sees her mother. It is not often you get that freedom interviewing." You can also watch it from that date on guardian.co.uk/film, for 9.99. She remembers staying up until the small hours talking about books with Michael "and smoking" she laughs and "not wanting to be anywhere else". I did get to spend so much time with everybody my mom was close to and ask them for hours uninterrupted about what she was like, she said. 34 year old Sarah tells of how the news started many family conversations at the dinner table and she noted how everyones story was different with each family member highlighting a different aspect of the tale. In the film she determines to find out whether the joke has substance, a quest that will eventually lead to a "sick feeling of responsibility and an enormous crushing guilt that laid me out for a few weeks. "As a middle-class woman with a career, it is unimaginable to think of a woman having her children taken away because her 'desire for a career overtook her domestic duties'." And as her youngest daughter processes all these contradictions, an exercise in family navel-gazing becomes something more meta less about the stories themselves than about the often uproarious ways in which people tell stories. I like bold gestures that aren't necessarily backed up by statistics. But there was one puzzle that did not go away. She cast Jonathon Crombie in his first role, in the widely watched miniseries Anne of Green Gables. Besides, what gives the film its distinction are the questions it raises that reach beyond plot: do we own our own stories or do they own us? [49] In another chapter, The Woman Who Stayed Silent, Polley revisits what she used to call a funny party story about my worst date ever with Jian Ghomeshi, the musician and former CBC radio host who in 2016 was acquitted of five charges related to sexual assault. To this day, Polley told me her emotions surrounding Baron Munchausen are not easily categorized. She adds: "I love living here I have always lived here, it is an easy city.". Ten short years later she discovered the secret that her mother had kept hidden all Sarahs life, Michael Polley was not her father. As I get older, Im realizing its OK for stories to be messy or go down circuitous paths that dont lead anywhere., She added, We create these clean narratives to make sense of our basically bewildering lives. This was not a traditional father-child relationship. Every other ramshackle shop seems to be attempting to evolve into an art gallery. She jammed cotton balls into her ears to drown out the noise. Nevertheless, she followed her mothers footsteps into acting, taking to the Canadian stage as a child and at 18 catching the attention of U.S. audiences after her role in The Sweet Hereafter.. Indiewire called it the finest of Polleys filmmaking skills while New York Magazines David Edelstein referred to Polley as a gifted actress and possibly more gifted writer-director.. [8][9], Polley's son John Buchan is also a casting director. She also made a second short film that year, Don't Think Twice. At the 2008 Genies, she was also awarded the Claude Jutra Award, which recognizes outstanding achievement by a first-time feature film director.[29]. I was hiring her as an actress. But at a certain point, a certain amount of money has been spent and you cant go back anymore., VIDEO: Upcoming summer films ENVELOPE: The latest awards buzz PHOTOS: Greatest box office flops. She died on 10 January 1990 in Toronto, Ontario, Canada. She emerges as a woman who had the gallantry to treat life like a party even when it did not return the compliment. For the next five years, Polley dived deep into her family history, weaving footage from home Super 8 movies and old photographs with confessional interviews from brothers John Buchan and Mark Polley, sisters Susy Buchan and Joanna Polley, plus Michael Polley and her biological father, among others. He received it all with so much equanimity it was unreal, says Polley, 33. The film is a loving but complicated homage. A snap of Sarah and Michael shows them smiling alongside a tall snowman they had created: an image of playful togetherness. It is the remembering that matters. It was really interesting to have a big drama in your own life, and have this need to make it into narrative.. But over a period of nearly four years, she recuperated, emerging with restored focus and with an upgraded philosophical outlook that has infused nearly every aspect of her life. [59], In 2007, Polley discovered that her father, Michael Polley, who had raised her, was not her biological father. The film mixes Super 8 home-movie footage and convincing reconstructions also shot in Super 8 Diane is played by Rebecca Jenkins (who knew her in life). When Sarah was 11 years old, Diane died of cancer. It was heartbreaking.. Diane Polley was used to harsh judgment. Stories We Tell is released in cinemas on 28 July. Michael's the father of the last two, along with Sarah who, at 34, is the youngest of this open, intelligent, likable bunch. The series premiered in 2017 on CBC Television in Canada; it streams on Netflix globally, outside of Canada. Before she had the idea of the film, Polley said, I wasnt interested in exposing myself. [13] Gulkin's paternity was later confirmed by a DNA test. A talented actress ("The Sweet Hereafter") turned gifted director ("Away From Her," "Take This Waltz"), she initially structures "Stories We Tell" as an attempt to discover more about her mother,. 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